saw the tosca, live from the met, yesterday -- plan to go back, wednesday -- great 'vissi d'arte,' by sonya yoncheva -- great screams too -- spine-tingling -- blood-curdling -- and a magnificent 'e lucevan' by vittorio grigolo -- pours it all out
here's the 2006 vienna pairing of angela gheorghiu and jonas kaufmann -- i saw them in the movie theater, from covent garden -- incredible -- i watched act three of the below, and act two and the 'mia gelosa' scene -- kaufmann encores 'e lucevan,' and gheorghiu doesn't come out, on cue -- terfel really has fun with his role
addendum: yoncheva and grigolo were singing their roles for the first time -- actually, grigolo sang in the opera, when he was 13 -- as the shepherd boy -- and, in the broadcast, he talked about being congratulated, after the opera, by luciano pavarotti, his cavaradossi, and looking forward to the day he'd sing cavaradossi -- here's the picture they showed, on the broadcast -- 27 years ago
turns out, yoncheva and grigolo were also replacements for the originally cast stars -- kristine opolais and jonas kaufmann -- wouldn't that have been great -- they've paired up, in europe, on at least two operas, i think
not only that, bryn terfel was replaced by zelko lucic, and opolais's husband, andris nelsons, pulled out as conductor, and his replacement, met music director james levine, was suspended by the met for sexual misconduct, and replaced, in turn, by emmanuel villaume
as a result -- or, maybe,...from even before -- 'la forze del destino' was considered a cursed opera -- pavarotti wouldn't touch it -- an opera director of 30 years, who provided sets and costumes to houses across italy, wouldn't touch those for 'forze'
i finally watched the pavarotti-freni boheme, from san francisco in '88
oh, my goodness -- what can one say -- pavarotti is beautiful -- freni is adorable...in acts one and two -- amazing...in voice, too
at the end, the flowers fly -- brought tears to my eyes -- what joy
the video of the whole...on youtube...has some 'scratches,' especially early on, and as it goes on, the audio and video grow progressively more out of sync
such synchronicity, though, between pavarotti and freni
i'll have to get a quality video...audio...of it
i'll also have to find pavarotti's first boheme -- in '61 -- his debut -- again, i think, with freni -- or, is it,...'deja vu,...all over again' -- backwards -- back to the future
it says, on his wikipedia page, that they were childhood friends, and that their mothers worked together in a cigar factory
i just found another pavarotti-freni pairing, from 1969
again, o soave fanciulla
how many times did they do it together
on a pbs special about him, he said that boheme was his lucky opera -- did it, every time he premiered in a city...with a company
wow -- they did it, together,...for maybe over 35 years
there's an exquisite rendition by enrico caruso and antonio scotti of the gorgeous rodolfo-marcelo duet from act four -- i just love those chords...near the end
on a youtube page featuring the two, it says they were close friends
finally, pavarotti, doing it with domingo -- with freni, watching on -- on stage -- looks like feruccio furlanetto, on stage too -- on the left side of the circle -- luciano comes up to him, early in the duet -- looks like quite a constellation of stars...on stage -- i caught thomas hampson
a shorter version -- without the fiori...that surrounded them, at the beginning
i attended opera western reserve's annual show, friday, and the quando me'n vo' scene...is quite a...dramatic scene -- lots...going on -- from all quarters
i'd like to find a longer video, with translations of all the lines
what a cast, though, here -- vargas and gheorghiu -- the musetta is ainhoa arteta
here's another version -- longer -- with pavarotti
also, the rodolfo-marcello duet is beautiful
old friend jason budd was colline
in june, we led jason, on and off the stage, in opera circle's rigoletto -- he was monterone -- nice job with the coat song, tonight
yesterday (or was it the day before), i heard this incredible rendition of 'o soave fanciulla'...by jussi bjorling and renata tebaldi
all right -- i don't like the word 'incredible'...so much -- it was, certainly,...gorgeous -- amazing -- spine-tingling -- profound -- well,...you fill in...your own....
well, that combination...of a swede and an italian...connected, nicely, with my recent meeting of marco stella, the product of another...swedish-italian...duo -- marco's father is italian; his mother is swedish -- macro lives in gothenborg (pronounced 'yot'ti'bori' -- i think i got that right) -- and he's a very good guy
i met marco, wednesday, after he performed with dorota sobieska, with her husband, jacek (yat'sek) on piano -- in a preview concert
i only caught part...of gilda's death scene...of the concert -- i'd come from the much-more-important concert of my nephew's fifth-grade...orchestra/band/chorus -- he plays the flute (like me, when i was a couple of years older than him)
speaking of...me -- my...musical...involvements -- i tried out for rigoletto's chorus -- joined in...two rehearsals -- couldn't cut it -- can't read the stitches on the fastball, couldn't hit the curve -- why, i couldn't even tell the difference between a fastball and a breaking pitch -- didn't know the count -- my batting stance...was a mess -- swinging...at all kinds of pitches -- fishing.... -- it was fun...fishing, though -- i'll keep on fishing
i just told marco about the great bjorling-tebaldi duet, and asked him if there's anything special -- in opera -- in history -- culturally -- between italy and sweden
'no,' he said, 'i think i'm writing that chapter'
i told him i was going to write this, and he...very helpfully...suggested a link...to a sample of his singing -- why didn't i think of that -- where does he get off,...telling me...how to do my job,...what to do
leading off, enrico caruso -- what a great lead-off hitter
batting second, beniamino gigli -- look out, though,...he's got a gentle touch -- he can lay one down
batting third, jussi bjorling -- maybe he should be batting cleanup, but...i'm kind of batting them, by age
cleaning up, our female...member -- our token female -- nana mouskouri -- hey, we need a woman, don't we, to clean up
batting fifth, mario lanza -- man, i'd like to have him...on my team -- he was...batting third, but then i saw...gigli...at the other end of the dugout
in fact,...there's lanza again, stealing second -- stealing the scene
next up, fritz wunderlich -- our switch-hitter, swinging...with a german bat
batting seventh, luciano -- he's touchin' all the bases
next up, domingo -- remember, he pronounces his name...plathido (as in throw)
and batting ninth, josep carreras
wow -- what a lineup -- how'd you like to have those guys...in the bottom of your order
on the bench, we've got some youngins -- all,...from the latin leagues
a domingo duke -- with isola jones, ileana cotrubas & cornell macneil
an anna moffo quartet -- with alfredo kraus, rosalind elias and robert merrill
something else, from the movie 'quartet' -- i noticed, and really enjoyed, the slow...instrumental-only...renditions of the quartet -- beautiful -- and...various parts of the piece too -- works...great -- just...tremendously beautiful music
cruising around on youtube, i came across, from that same '77 met production, ileana cotrubas & cornell macneil's 'tutte le feste al tempio' -- beautiful,...gorgeous,...spell-binding
jose carreras -- apparently, from one of the two times he played the duke...with new york city opera (in 1973) -- with patricia wise, margaret yauger, louis quilico
another pavarotti-sutherland pairing -- this time with huguette tourangeau and sherrill milnes, in the studio, in 1971 -- with sutherland's husband, richard bonynge, conducting
i just saw the movie 'quartet' again -- even better, second time around -- really moving (like opera -- like...good opera) -- brought tears to my eyes, many times -- although, i've been a bit teary-eyed, of late
so, i'm on another...quartet-high -- and...i'm going to share....
so, get ready...to be deluged...by quartets -- quartets...to the...quadruple power
i can't help it -- there are...so many...incredible renditions
something else...about this -- i know of no other scene...in the history of literature (and not only...musical theater), as beautifully set,...set up,...developed, as exquisitely choreographed...as this -- dramatically speaking -- and, when well acted, well sung, it's...incomparable -- the height of...everything
well, if any one...knows of another scene -- whether by the bard, the blind bard, aristophanes, anybody...that matches this -- comes close -- i'd love to hear about it (see it, read it, imbibe it) -- a few years ago, i was...kicked in the gut...truly wrenched, inside,...by a scene or two (or more) in oedipus -- but,...hard to imagine...a scene...being set -- played out -- with character-development,...characters' motivations, depth of feeling...to match this one
so, here goes -- feast your eyes, your ears...your soul
first -- and you could, just as well, stop right here -- the legendary pairing of pavarotti and dame sutherland -- one for the ages, this performance -- and, of course, one mustn't forget isola jones and leo nucci -- how could one
here, luciano...takes it from the top, in this great film version -- with edita gruberova as gilda, ingvar wixell as rigoletto, victoria vergara as maddelena, and ferruccio furlanetto as sparafucile
here's an exquisitely rendered -- not to mention, elegant -- quartet,...from 'classic' american television -- with cesare valetti, blanche theborn, roberta peters & cesare siepi -- those were the days
another, with dame sutherland -- and nicolai gedda, mildred miller & tito gobbi -- all of whom act beautifully and sing exquisitely
-- and versa vice
another great...pavarotti quartet -- with renata scotto, bianca bortoluzzi & kostas paskalis
jussi bjorling, anna roto, roberta peters & robert merrill
one, starring
the great mexican tenor ramon vargas, with elina granaca, anna netrebko & ludovic tezier
another, anchored the splendid argentinian...marcelo alvarez -- with judith howarth, denyce graves & bryn terfel
i just came across another tour de force by alvarez -- here, with cecilia bartoli, mariella devia & leo nucci
maria callas -- with giuseppe di stefano, adriana lazzarini & tito gobbi
a recent one, with juan diego florez, christa mayer,diana damrau & zeljko lucic -- with an interesting...dramatic twist
i just came across this collection of superstars -- pavarotti, june anderson, florence quivar & sherrill milnes
finally, a couple...from the record books -- literally -- from the records -- and, even, before...records
caruso, from 1907, with bessie abott, louise homer & antonio scotti
caruso, from 1917, with flora perini, amelita galli-curci, giuseppe de luca -- read about the picture
finally, john mccormack & lucrezia bori, from 1914
in the comments (posted on youtube, under this video), there's a lovely story...about mccormack and caruso...in an elevator -- mccormack greets caruso: 'and how is the world's greatest tenor today?,' to which caruso replies, 'and since when, john, did you become a baritone/'
i could go on and on (and i already have -- and i will,...anon -- i just came across a domingo duke (and others), and i'll look for a better quartet con 'la bellissima' -- but i have to stop, for now) -- you may (go on and on) -- and...share
all of this...led me to wonder, if there's a collection of the quartets -- if it's possible, to make a record -- cd -- of just the quartets -- i did a quick search on amazon -- didn't find anything -- i wonder, of course, if copyrights...would prevent... -- something...to think about