on mozart's birthday, five don juans for zerlina

old blue eyes singing mozart, w/grayson -- domingo, freni & graham

i just learned, in opera news magazine's new backgrounder feature (operapedia -- this month, on 'don giovanni'), that frank sinatra sang that lovely love duet (?) -- seduction scene -- that the don sings with zerlina (right after she got married) -- old blue eyes sang it with kathryn grayson, in the 1947 movie 'it happened in brooklyn' -- i had to see it

i wonder who that masetto is -- i just looked on imdb, to find out -- what a cast -- durante, gloria grahame, peter lawford -- maybe it's bobby long

i then went on, as one is wont to do on youtube -- a couple of charming ones -- magnificent -- placido with mirella freni, then with susan graham -- look at her -- she's barely out of her teens

tosca film, with domingo & milnes

looks like a must-see -- 1976 film version of 'tosca,' with raina kabaivanska, placido domingo and sherril milnes, filmed...in situ -- in rome

i can't wait to see her vissi d'arte -- she's got a gorgeous voice

wilhelmenia fernandez

i watched the movie 'diva,' last night -- for the first time in decades -- it became an instant cult-classic, when it came out, in '81, '82

the movie brought wilhelmenia wiggins fernandez to the attention of the world, with her great rendition of 'ebben? ne andro lontana' -- at the start of the movie

here are two more great performances

a very slow take...on 'patria mia' -- in luxor

a 'vissi d'arte'...that just floors you

she was musetta, in a 'boheme' with kiri te kanawa and placido domingo

pavarotti-freni boheme

i finally watched the pavarotti-freni boheme, from san francisco in '88

oh, my goodness -- what can one say -- pavarotti is beautiful -- freni is adorable...in acts one and two -- amazing...in voice, too

at the end, the flowers fly -- brought tears to my eyes -- what joy

the video of the whole...on youtube...has some 'scratches,' especially early on, and as it goes on, the audio and video grow progressively more out of sync

such synchronicity, though, between pavarotti and freni

i'll have to get a quality video...audio...of it

i'll also have to find pavarotti's first boheme -- in '61 -- his debut -- again, i think, with freni -- or, is it,...'deja vu,...all over again' -- backwards -- back to the future

it says, on his wikipedia page, that they were childhood friends, and that their mothers worked together in a cigar factory

i just found another pavarotti-freni pairing, from 1969

again, o soave fanciulla

how many times did they do it together

on a pbs special about him, he said that boheme was his lucky opera -- did it, every time he premiered in a city...with a company

here's another pavarotti-freni pairing -- 1996 -- just as moving -- maybe more,...by the end

wow -- they did it, together,...for maybe over 35 years

there's an exquisite rendition by enrico caruso and antonio scotti of the gorgeous rodolfo-marcelo duet from act four -- i just love those chords...near the end

this 1907 recording (on youtube) is a little scratchy -- the one you can access via the wikipedia page for boheme is much cleaner

on a youtube page featuring the two, it says they were close friends

finally, pavarotti, doing it with domingo -- with freni, watching on -- on stage -- looks like feruccio furlanetto, on stage too -- on the left side of the circle -- luciano comes up to him, early in the duet -- looks like quite a constellation of stars...on stage -- i caught thomas hampson

a shorter version -- without the fiori...that surrounded them, at the beginning

la-la...la-la...la-la...la-la...la-la...la-la...la-la

i love this scene -- heart-rending -- love the use of the laugh...as music,...a verdi...specialty

julia novikova

where's she been,...all my life

look what love can do...to you: lacrime

leading off, enrico caruso -- what a great lead-off hitter

batting second, beniamino gigli -- look out, though,...he's got a gentle touch -- he can lay one down

batting third, jussi bjorling -- maybe he should be batting cleanup, but...i'm kind of batting them, by age

cleaning up, our female...member -- our token female -- nana mouskouri -- hey, we need a woman, don't we, to clean up

batting fifth, mario lanza -- man, i'd like to have him...on my team -- he was...batting third, but then i saw...gigli...at the other end of the dugout

in fact,...there's lanza again, stealing second -- stealing the scene

next up, fritz wunderlich -- our switch-hitter, swinging...with a german bat

batting seventh, luciano -- he's touchin' all the bases

next up, domingo -- remember, he pronounces his name...plathido (as in throw)

and batting ninth, josep carreras

wow -- what a lineup -- how'd you like to have those guys...in the bottom of your order

on the bench, we've got some youngins -- all,...from the latin leagues

the king of the high seas...can hit 'em out of the park -- and here,...he sails around the bases...twice -- a rare feat, especially nowadays

rolando's also going around the bases twice -- what's going on here

and look -- one of our regulars, doing double-duty, waving ramon vargas in from third

here's marcelo alvarez, back when he was with an argentinian minor-league team -- no hesitation step...from the kid

good guys...to have on the bench

and we're back to the top of the order

my super-excellent met adventure

thanks to my old friend ahmed, i got two tickets to see diana damrau and placido domingo...in 'traviata' at the met, two saturdays ago -- i so wanted to see this show -- damrau is great, and... -- well, what can you say about domingo -- you know, he pronounces his name 'plathido' (as in 'throw') -- and maybe all spaniards pronounce it that way -- because there was a king...who couldn't make the 's' sound (i'll have to find out...who/when...this was), and...'bob's your uncle' -- 'it's-good-to-be-da-king'

well, ahmed, incredibly, came through

'traviata' was the matinee, and the evening's show was 'otello,' with thomas hampson as iago (i saw him in akron, a few weeks ago) -- i planned on buying a standing-room ticket for 'otello'

the only time i attended a show in the met before -- in '96, i think -- i bought a standing-room ticket, and, at intermission, was handed a ticket for a seat, by a man...as he and his date were exiting the theater -- now, not having anybody...to use the second ticket for traviata, i realized, as i was approaching new york, friday evening, that i might be able to exchange one of my tickets.... -- and...'bob's your uncle'...again

i found out, however, that you can't exchange tickets, day of show, and...i just made it...to the box office,...before it closed, at eight o'clock -- super...'bob's your uncle'

what a splendid weekend of opera -- topped off...by visits to my journalism-workmate from jerusalem jill hamburg...and my cousin raouf -- and their families -- very nice visits

raouf, i could call...my oldest friend -- he was born, 14 days after me (also in england), and, when i wouldn't drink my mother's milk, our mothers...traded us, and...'bob's your uncle' -- delicious -- and...i've been drinking milk, ever since -- well, not really, but....

jill, and her family, spent last school year in china, where she taught journalism and communications (as a fulbright scholar) at the foreign-languages university in beijing -- she and her 13-year-old son kenny...put together a 'slide show'...with music...about ancient sites in china -- kenny's very interested in architecture and history (among other things), and he...pressed the rest of his family...to travel inside the country (they made 17 trips, during the year), and...they discovered...how little attention...is paid...to the ancient sites in the country -- the communists...tore old things down (including the walls of old cities) -- persecuted and executed...practitioners of traditional...hand...crafts

so, for his bar mitzvah, kenny is raising money for the world monuments fund -- i thought it belonged to the u.n., but i was wrong -- kenny's using his (rich) 'slide presentation'...as a vehicle

back to my day at the met

my approach to the green -- the batteries in the camera died, on the ride -- those things...get eaten up fast

i'm there

look where i'm sitting

the good doctor grenvill,...waiting -- waiting...for violetta

i'm taking it all in -- excited...to be here

i wanna know what this sculpture (above the proscenium) is all about -- one person said it's to do with work

each seat -- and even...each spot...in the standing-room...elbow-...counters (padded counters) -- has one of these little screens -- problem is, they're at chest level, and...don't lend themselves to seeing the action on the stage...and reading...the text -- you have to...look...up and down -- repeatedly -- you can switch to german, spanish and italian -- no french, to my surprise

at intermission, i walked around, took in the sites...and angles

a display case, downstairs, of memorabilia and photographs from verdi operas; there are...a number of these, around the house

this man, in a purple-and-black met uniform (he plays shortstop -- actually, he's the rover), goes around, chiming the warning bells

back inside, this lone...clarinetist...was practicing

on the conductor's stand

after intermission, peter gelb came onto the stage

oh-oh -- could only be bad news -- obviously, about domingo (who hasn't appeared yet)

gelb said the same -- then went on,...that in the history of the met, no tenor has confronted more challenging roles than domingo -- today, though, he's facing a different kind of challenge -- allergies -- and that he wanted us to know

my reaction was...why does he even need to have such an announcement made

well, he was great, in 'di provenza'

this audio recording...is supposedly from the performance i attended

after the show, a man sitting in the row in front of me said, if that's how he is, when he's not well, i'd like to see how he is, when he's fine -- he also said...that domingo wants to be perfect

this very large painting of domingo...is on one side of the downstairs lobby

damrau was great -- singing, acting,...the whole thing -- she's just...irrepressible -- inimitable

her delicate...parts...were especially...beautiful -- noteworthy

i love this...song,...duet,...sequence of songs...that starts with 'dite alla giovine' -- another great...father-daughter...pairing...by verdi

then...this great scene, where she's singing...from flat on her back (also, reportedly, from march 30)

and the grand finale (from this production)

during one of her bows, she did a spin -- i didn't catch it, on camera -- i think this is the tail end of it

after the first show of the run, the radio announcer for the met...said she jumped, up and down -- she'd said that violetta was her dream role, and doing it at the met...the utmost of dreams

the albanian tenor saimir pirgu...was very good, too

i liked his acting...much more than matthew polenzani's, who struck me...as a bit of a dip, not only in the role of alfredo (in the met simulcast), but, also, in their...'stuarda' and 'elisir' -- pirgu's singing was excellent too

on the left, maria zifchak (annina)

that's (tie-less) conductor yannick nezet-seguin, kissing damrau's hand

i've gotta include...an anna moffo...recording ('e strano... sempre libera,'...from a live performance)

i can't resist -- another...amazing rendition (hey, i didn't include...two -- maybe...more -- and there's the great one...from her...'debut recordings')

you can also go...to her...farewell... -- her 'addio' -- and...marie mclaughlin's

as i have time, i'll write more -- there's...that evening's 'otello,' with a very dramatic scene (verdi's got some...sense -- capacity -- flair -- ...for the dramatic -- see, the quartet...from 'rigoletto'); there's my meeting...a lovely man...on the subway, who was taking a lesson, when juan diego florez was taking his first; and, the next day, a tour of lincoln center, during which...i sang for the group...in the met,...right there, in the auditorium -- stay tuned -- i could spend...the next couple months, writing about...this trip

il quartetto encore: quattro più...e...una 'tutte le feste'

a domingo duke -- with isola jones, ileana cotrubas & cornell macneil

an anna moffo quartet -- with alfredo kraus, rosalind elias and robert merrill

something else, from the movie 'quartet' -- i noticed, and really enjoyed, the slow...instrumental-only...renditions of the quartet -- beautiful -- and...various parts of the piece too -- works...great -- just...tremendously beautiful music

cruising around on youtube, i came across, from that same '77 met production, ileana cotrubas & cornell macneil's 'tutte le feste al tempio' -- beautiful,...gorgeous,...spell-binding

jose carreras -- apparently, from one of the two times he played the duke...with new york city opera (in 1973) -- with patricia wise, margaret yauger, louis quilico

another pavarotti-sutherland pairing -- this time with huguette tourangeau and sherrill milnes, in the studio, in 1971 -- with sutherland's husband, richard bonynge, conducting