Showing posts with label verdi. Show all posts
Showing posts with label verdi. Show all posts
Wednesday, December 30, 2020
Friday, February 12, 2016
act-4 duet from trovatore: fleming & hvorostovsky
Labels:
concert,
duet,
hvorostovsky,
opera,
renee fleming,
st. petersburg,
stirring,
trovatore,
verdi
Wednesday, December 16, 2015
spine-tingling,...tear-inducing...beverly-sills sempre libera
because i can't hear pandora in jordan (turns out, it can only be heard in the u.s., australia and new zealand), i'm resorting to i-tunes -- beverly sills's sempre libera came on, with nicolai gedda -- spine-tingling -- sills is splendid -- lets it all out -- i was writing an e-mail to a friend, and mentioned it
i went to youtube, to send it to her -- the one i hit...brought tears to my eyes
not the same recording -- the audio i heard...is from the series 'great operas at the met': the traviata volume -- the video is from 1976, at wolf trap -- don't know who her alfredo was
i went to youtube, to send it to her -- the one i hit...brought tears to my eyes
not the same recording -- the audio i heard...is from the series 'great operas at the met': the traviata volume -- the video is from 1976, at wolf trap -- don't know who her alfredo was
Labels:
alfredo,
beverly sills,
gedda,
opera,
sempre libera,
the met,
traviata,
verdi,
violetta,
wolf trap
Friday, September 25, 2015
Wednesday, February 18, 2015
hvorostovsky's 'il balen'
the met just announced its lineup for next season, and they're doing 'il trovatore' in september, october and february, with the october 3 show kicking off their season's live screenings in movie theaters -- dmitri hvorostovsky will be their count di luna -- i love 'il balen'
i hope i'll be able to make it to cincinnati, in june, to hear stephen powell sing it
Monday, February 17, 2014
community theater rigoletto
look what a little...moonlight can do
old friend jason budd...directed this rigoletto, for valley lyric opera, in sharpsville, pennsylvania
old friend jason budd...directed this rigoletto, for valley lyric opera, in sharpsville, pennsylvania
Friday, February 14, 2014
leonard warren,...and the curse of 'forze'
i just read that leonard warren, who sang that incredible rigoletto i was listening to, a couple of days ago, died, on stage -- he was 48
as a result -- or, maybe,...from even before -- 'la forze del destino' was considered a cursed opera -- pavarotti wouldn't touch it -- an opera director of 30 years, who provided sets and costumes to houses across italy, wouldn't touch those for 'forze'
la maledizione
as a result -- or, maybe,...from even before -- 'la forze del destino' was considered a cursed opera -- pavarotti wouldn't touch it -- an opera director of 30 years, who provided sets and costumes to houses across italy, wouldn't touch those for 'forze'
la maledizione
Wednesday, February 12, 2014
'gilda'
i didn't find leonard warren's cry of 'gilda,' when he finds out that roberta peters has been kidnapped, but i did find one, when his daughter from 14 years before, bidu sayao, was
jussi bjorling...was sayao's...amoroso
how would you like to see that...triangle...in action
how would you like to see that...triangle...in action
Labels:
bjorling,
gilda,
leonard warren,
rigoletto,
roberta peters,
sayao,
verdi
leonard warren & roberta peters's rigoletto, 1959
this evening, on sirius radio, they were broadcasting the rigoletto from 1959, starring leonard warren and roberto peters -- fantastic
here are a few clips (just the audio), from that...same...show -- march 28
oops -- can't...include the videos, in this post
then,...the links
his 'pari siamo!'
o veglia, o donna, questo fiore
they just...sing...together
his 'gilda,' after he discovers she's been kidnapped, is...blood-curdling...shiver...inducing -- i haven't found an audio,...on youtube
cortigiani, vil razza dannata
mio padre.. parla... siam soli... tutte le feste... piangi, fanciulla
chi è mai, chi è qui in sua vece? v`hotmail.com ingannato
here are a few clips (just the audio), from that...same...show -- march 28
oops -- can't...include the videos, in this post
then,...the links
his 'pari siamo!'
then, again,...some...i can
figlia! mio padre!... quanto dolor
o veglia, o donna, questo fiore
they just...sing...together
his 'gilda,' after he discovers she's been kidnapped, is...blood-curdling...shiver...inducing -- i haven't found an audio,...on youtube
cortigiani, vil razza dannata
mio padre.. parla... siam soli... tutte le feste... piangi, fanciulla
chi è mai, chi è qui in sua vece? v`hotmail.com ingannato
Labels:
chi è mai,
cortigiani,
duet,
father-daughter,
figlia,
leonard warren,
live,
metropolitan opera,
mio padre,
o veglia,
pari siamo,
quanto dolor,
rigoletto,
roberta peters,
tutte le feste,
v'ho ingannato,
verdi
Thursday, February 6, 2014
thomas hampson's art song project
thomas hampson, who was iago,...in the 'otello' i saw at the met, a year ago
and whom i saw sing american songs in akron, a little while before that
that's him, showing how to...'shake your sillies out'
actually, it was a technique...to get ready to sing -- straightening yourself up, i think -- maybe, grounding yourself -- creating...that straight...pipe
well,...he has a web-site (for his hampsong foundation), which is connected to the library of congress, and serves as a warehouse for songs from around the world, and, he said, it puts the songs in the context of their society and time
i just found out, he has a radio show, too -- of american songs
more importantly, though, he...begged me...to take a picture with him -- i succumbed
that's him, showing how to...'shake your sillies out'
actually, it was a technique...to get ready to sing -- straightening yourself up, i think -- maybe, grounding yourself -- creating...that straight...pipe
well,...he has a web-site (for his hampsong foundation), which is connected to the library of congress, and serves as a warehouse for songs from around the world, and, he said, it puts the songs in the context of their society and time
i just found out, he has a radio show, too -- of american songs
more importantly, though, he...begged me...to take a picture with him -- i succumbed
Tuesday, February 4, 2014
wilhelmenia fernandez
i watched the movie 'diva,' last night -- for the first time in decades -- it became an instant cult-classic, when it came out, in '81, '82
the movie brought wilhelmenia wiggins fernandez to the attention of the world, with her great rendition of 'ebben? ne andro lontana' -- at the start of the movie
here are two more great performances
a very slow take...on 'patria mia' -- in luxor
a 'vissi d'arte'...that just floors you
she was musetta, in a 'boheme' with kiri te kanawa and placido domingo
the movie brought wilhelmenia wiggins fernandez to the attention of the world, with her great rendition of 'ebben? ne andro lontana' -- at the start of the movie
here are two more great performances
a very slow take...on 'patria mia' -- in luxor
a 'vissi d'arte'...that just floors you
she was musetta, in a 'boheme' with kiri te kanawa and placido domingo
Labels:
aida,
boheme,
cult classic,
diva,
domingo,
ebben,
luxor,
movie,
patria mia,
puccini,
te kanawa,
tosca,
verdi,
vissi d'arte,
wilhelmenia fernandez
Saturday, January 11, 2014
the reigning queens
i think joyce didonato and sondra radvanovsky are the two...premier divas...of america
makes me wonder...if we have any...comparable tenors...or basses
Friday, December 6, 2013
n.y.c.o. rigoletto: wow!
just finished watching this 1988 'rigoletto'...from new york city opera -- what a trio -- and quartet -- with beverly sills, introducing...and narrating the behind-the-scenes...scenes -- who could ask for anything more
the sparafucile, mark s. doss, we are told by the broadcast announcer, is from cleveland, and the amazing gilda, faith esham, was born in portsmouth, ohio
Thursday, November 14, 2013
he conducts the audience
last night (wednesday), i saw, on the silver screen, 'nabucco,' from la scala -- this has sent me on a...'va, pensiero'...trek
somebody on one of the youtube pages...recommended a muti-led rendition
here's the first one that turned up, with muti...conducting the audience
next, i saw...a little-longer version, with muti...introducing the singing, then...with the full applause, afterwards
finally, i saw a much-longer version...of the whole thing -- it's the encore...that gets muti speaking,...to the audience...and introducing the encore
the scala 'nabucco'...was fantastic, with leo nucci...in the lead -- what can you say about him -- all the principals...were resplendant, especially liudmyla monastyrska, as abigail -- what a powerful instrument she possesses
a year ago, she blew me away, from the first time she opened her mouth, as aida, from the met
i've yet to find a 'pensiero'...from the scala production
somebody on one of the youtube pages...recommended a muti-led rendition
here's the first one that turned up, with muti...conducting the audience
next, i saw...a little-longer version, with muti...introducing the singing, then...with the full applause, afterwards
finally, i saw a much-longer version...of the whole thing -- it's the encore...that gets muti speaking,...to the audience...and introducing the encore
the scala 'nabucco'...was fantastic, with leo nucci...in the lead -- what can you say about him -- all the principals...were resplendant, especially liudmyla monastyrska, as abigail -- what a powerful instrument she possesses
a year ago, she blew me away, from the first time she opened her mouth, as aida, from the met
i've yet to find a 'pensiero'...from the scala production
Labels:
aida,
chorus,
la scala,
leo nucci,
monastyrska,
nabucco,
patria mia,
riccardo muti,
va pensiero,
verdi
Saturday, September 14, 2013
Sunday, September 8, 2013
toscanini...leading rehearsal of traviata
for the last three days, i've been listening in the car to this cd i recently picked up at a library sale
it's shot up...to one of my all-time favorites
here's the first track -- 'coro di zingarelle'
it's such a delight...hearing the maestro...sing...hum...feel...cajole his way...through the piece, as he leads the orchestra -- the nbc symphony orchestra, in 1946 -- makes the masterpiece, so much more thrilling -- makes it soar...even more -- enhances my appreciation...many fold
here's 'di sprezzo degno' -- may not be...from the same cd -- doesn't match, exactly, the tracks on my cd
Thursday, June 13, 2013
bastianini-scotto rigoletto duet
another...gilda-rigoletto duet...by renata scotto and ettore bastianini -- this one, from the first act -- just...amazing -- spine-tingling
Wednesday, June 12, 2013
interview with the cleveland rigoletto & maestro
an interview with our marco stella, the lead of this weekend's 'rigoletto' (he belongs to us now) -- preceded by an interview with the conductor, andrea raffanini
yesterday, we rehearsed in playhouse square's ohio theater, where the opera circle production will take place, saturday evening -- it was a lot of fun -- like seeing the opera, two, three times, in one night -- such...incredibly beautiful music -- and...what gorgeous singing -- the choral pieces, along with...all the rest
in honor of marco stella, here's ettore bastianini, one of marco's favorite baritones -- if not his favorite -- along with renata scotto, in the concluding scene of act two -- the full scene -- with...so much....
i love this scene -- the music, the singing, the...feeling -- feelings -- especially the feelings -- the depth of emotion -- gilda's high notes -- soaring -- flying -- in the sky, above everything -- 'piangi -- piangi -- piangi, funciulla -- fanciulla, piangi' -- love it -- actually,...love...doesn't...say it -- doesn't...say enough -- how deeply...it touches me -- rigoletto's 'non's -- 'mia figlia...mia gilda'
as soon as the pictures arrive in my e-mail (from my phone), i'll put them here
yesterday, we rehearsed in playhouse square's ohio theater, where the opera circle production will take place, saturday evening -- it was a lot of fun -- like seeing the opera, two, three times, in one night -- such...incredibly beautiful music -- and...what gorgeous singing -- the choral pieces, along with...all the rest
in honor of marco stella, here's ettore bastianini, one of marco's favorite baritones -- if not his favorite -- along with renata scotto, in the concluding scene of act two -- the full scene -- with...so much....
i love this scene -- the music, the singing, the...feeling -- feelings -- especially the feelings -- the depth of emotion -- gilda's high notes -- soaring -- flying -- in the sky, above everything -- 'piangi -- piangi -- piangi, funciulla -- fanciulla, piangi' -- love it -- actually,...love...doesn't...say it -- doesn't...say enough -- how deeply...it touches me -- rigoletto's 'non's -- 'mia figlia...mia gilda'
as soon as the pictures arrive in my e-mail (from my phone), i'll put them here
Labels:
andrea raffanini,
bastianini,
cleveland,
father-daughter,
marco stella,
ohio theater,
opera circle,
piangi fanciulla,
playhouse square,
rehearsal,
rigoletto,
scotto,
si vendetta,
tutte le feste,
verdi
Monday, June 3, 2013
the swedish-italian connection; rigoletto comes to cleveland
yesterday (or was it the day before), i heard this incredible rendition of 'o soave fanciulla'...by jussi bjorling and renata tebaldi
all right -- i don't like the word 'incredible'...so much -- it was, certainly,...gorgeous -- amazing -- spine-tingling -- profound -- well,...you fill in...your own....
well, that combination...of a swede and an italian...connected, nicely, with my recent meeting of marco stella, the product of another...swedish-italian...duo -- marco's father is italian; his mother is swedish -- macro lives in gothenborg (pronounced 'yot'ti'bori' -- i think i got that right) -- and he's a very good guy
marco's in cleveland, to play rigoletto, on june 15, in a production by our local...opera circle -- in a return of opera to downtown cleveland -- playhouse square
i met marco, wednesday, after he performed with dorota sobieska, with her husband, jacek (yat'sek) on piano -- in a preview concert
i only caught part...of gilda's death scene...of the concert -- i'd come from the much-more-important concert of my nephew's fifth-grade...orchestra/band/chorus -- he plays the flute (like me, when i was a couple of years older than him)
speaking of...me -- my...musical...involvements -- i tried out for rigoletto's chorus -- joined in...two rehearsals -- couldn't cut it -- can't read the stitches on the fastball, couldn't hit the curve -- why, i couldn't even tell the difference between a fastball and a breaking pitch -- didn't know the count -- my batting stance...was a mess -- swinging...at all kinds of pitches -- fishing.... -- it was fun...fishing, though -- i'll keep on fishing
i might still get...to walk on stage
someone who will definitely be on the stage...is christina carr, as maddalena -- i met christina, a couple of months ago, at the wagner symposium, in walsh college
i just told marco about the great bjorling-tebaldi duet, and asked him if there's anything special -- in opera -- in history -- culturally -- between italy and sweden
'no,' he said, 'i think i'm writing that chapter'
i told him i was going to write this, and he...very helpfully...suggested a link...to a sample of his singing -- why didn't i think of that -- where does he get off,...telling me...how to do my job,...what to do
here goes
by the way, marco...loves his uncle bob
well,...here's another swedish-italian...coupling -- bjorling and pavarotti -- also from 'la boheme'
well, that combination...of a swede and an italian...connected, nicely, with my recent meeting of marco stella, the product of another...swedish-italian...duo -- marco's father is italian; his mother is swedish -- macro lives in gothenborg (pronounced 'yot'ti'bori' -- i think i got that right) -- and he's a very good guy
marco's in cleveland, to play rigoletto, on june 15, in a production by our local...opera circle -- in a return of opera to downtown cleveland -- playhouse square
i met marco, wednesday, after he performed with dorota sobieska, with her husband, jacek (yat'sek) on piano -- in a preview concert
i only caught part...of gilda's death scene...of the concert -- i'd come from the much-more-important concert of my nephew's fifth-grade...orchestra/band/chorus -- he plays the flute (like me, when i was a couple of years older than him)
speaking of...me -- my...musical...involvements -- i tried out for rigoletto's chorus -- joined in...two rehearsals -- couldn't cut it -- can't read the stitches on the fastball, couldn't hit the curve -- why, i couldn't even tell the difference between a fastball and a breaking pitch -- didn't know the count -- my batting stance...was a mess -- swinging...at all kinds of pitches -- fishing.... -- it was fun...fishing, though -- i'll keep on fishing
i might still get...to walk on stage
someone who will definitely be on the stage...is christina carr, as maddalena -- i met christina, a couple of months ago, at the wagner symposium, in walsh college
i just told marco about the great bjorling-tebaldi duet, and asked him if there's anything special -- in opera -- in history -- culturally -- between italy and sweden
'no,' he said, 'i think i'm writing that chapter'
i told him i was going to write this, and he...very helpfully...suggested a link...to a sample of his singing -- why didn't i think of that -- where does he get off,...telling me...how to do my job,...what to do
here goes
well,...here's another swedish-italian...coupling -- bjorling and pavarotti -- also from 'la boheme'
where do they get off...doing that duet
Labels:
bjorling,
bob's your uncle,
boheme,
christina carr,
cleveland,
il tabarro,
italy,
marco stella,
nulla silenzio,
opera circle,
pavarotti,
puccini,
rigoletto,
soave fanciulla,
sobieska,
sweden,
tebaldi,
verdi
Wednesday, May 22, 2013
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