Showing posts with label hampson. Show all posts
Showing posts with label hampson. Show all posts

Thursday, February 6, 2014

thomas hampson's art song project

thomas hampson, who was iago,...in the 'otello' i saw at the met, a year ago
and whom i saw sing american songs in akron, a little while before that
that's him, showing how to...'shake your sillies out'

actually, it was a technique...to get ready to sing -- straightening yourself up, i think -- maybe, grounding yourself -- creating...that straight...pipe

well,...he has a web-site (for his hampsong foundation), which is connected to the library of congress, and serves as a warehouse for songs from around the world, and, he said, it puts the songs in the context of their society and time

i just found out, he has a radio show, too -- of american songs

more importantly, though, he...begged me...to take a picture with him -- i succumbed

Friday, January 17, 2014

pavarotti-freni boheme

i finally watched the pavarotti-freni boheme, from san francisco in '88


oh, my goodness -- what can one say -- pavarotti is beautiful -- freni is adorable...in acts one and two -- amazing...in voice, too


at the end, the flowers fly -- brought tears to my eyes -- what joy

the video of the whole...on youtube...has some 'scratches,' especially early on, and as it goes on, the audio and video grow progressively more out of sync

such synchronicity, though, between pavarotti and freni

i'll have to get a quality video...audio...of it

i'll also have to find pavarotti's first boheme -- in '61 -- his debut -- again, i think, with freni -- or, is it,...'deja vu,...all over again' -- backwards -- back to the future

it says, on his wikipedia page, that they were childhood friends, and that their mothers worked together in a cigar factory

i just found another pavarotti-freni pairing, from 1969

again, o soave fanciulla


how many times did they do it together

on a pbs special about him, he said that boheme was his lucky opera -- did it, every time he premiered in a city...with a company

here's another pavarotti-freni pairing -- 1996 -- just as moving -- maybe more,...by the end

wow -- they did it, together,...for maybe over 35 years

there's an exquisite rendition by enrico caruso and antonio scotti of the gorgeous rodolfo-marcelo duet from act four -- i just love those chords...near the end

this 1907 recording (on youtube) is a little scratchy -- the one you can access via the wikipedia page for boheme is much cleaner


on a youtube page featuring the two, it says they were close friends

finally, pavarotti, doing it with domingo -- with freni, watching on -- on stage -- looks like feruccio furlanetto, on stage too -- on the left side of the circle -- luciano comes up to him, early in the duet -- looks like quite a constellation of stars...on stage -- i caught thomas hampson

a shorter version -- without the fiori...that surrounded them, at the beginning

Wednesday, April 24, 2013

my super-excellent met adventure, part 2

for the nightcap...of my day-night doubleheader, i saw 'otello'

krassimira stoyanova, as desdemona, was great -- powerful voice -- really...exploded,...when she first came out -- opened up
stoyanova and jose cura (otello)
i found another great scene from verdi -- the man has some sense for the dramatic

otello has been reduced to a groveling...worm, prostrate on the ground -- outside, the citizens of cyprus are singing the praises of the lion of venice, for his recent victory -- inside, however, iago stands astride...the defeated otello -- the utterly defeated otello -- and iago roars,...'ecco il leoni'

thomas hampson is a great actor, as well as a great singer
hampson and cura
on the subway ride after 'otello,' i was sitting next to a man reading a spanish newspaper -- on the back cover of the paper was a picture of new york mets pitcher johann santana (for weeks, i'd been singing 'meet the mets,' when i hear,...think about...the met) -- i eventually noticed that he had a plastic bag from the met opera shop -- i asked him if he attended the opera -- he said he worked in the shop -- i showed him the tie i wore (since removed...and placed in my met bag), like the ones sold in the shop
his name is ivan, he's from peru, and he was an opera singer -- he said he was there, for juan diego florez's first voice lesson, when florez was 17 and ivan was 21 -- ivan taught archeology in peru, for 12 years, and sumerian/mesopotamian mythology...were his favorite -- he said that all religions and mythologies...hail from it -- i told him about my nephew and lugalbanda -- i later asked him about santana -- he said he didn't understand baseball -- hadn't learned it

sunday morning, i went back to the met, for their backstage tour -- they're sold out, for the rest of the season, but i thought i'd give it a shot, anyway

i waited and waited,...in front of the met building, but...no tour group

meanwhile, there was a big group, on the other side of the fountain, singing -- in a foreign language

i haven't been able to insert the video of their singing (from my camera) here -- i'll keep trying

in any case, they were, all girls, and they were from the czech border-city karvina -- they were in new york, for a singing competition -- two days later, in carnegie hall -- and had a concert in st. patrick's church, monday afternoon

i was told, variously, that they sang permonik (which i heard, and recorded), za nasim humenkem and este si zazpivam

then came a group from a high school in salt lake city -- they sang a hymn -- i just looked it up -- it's called 'the saints bound for heaven' -- part of it goes, 'and through all eternity, we'll rejoice, we'll rejoice' -- i gave 'em...an opera 'bravo'

then they sang...what sounded like a polynesian song -- i caught the words...'nimoni noyay' -- that's what it sounded like

well, i then walked around the corner, to the lincoln center's newest building, the david rubenstein atrium -- i found out, there, that there were no backstage tours of the met, that day (neither the morning or the afternoon tour) -- probably because it was easter sunday -- i must check the metropolitan opera guild web-site, next time -- they're the ones who conduct the tours, and not metropolitan opera

there were, however, tours of the lincoln center complex -- they call it 'campus'

that tour included the met and the koch theater (formerly the state theater -- designed by cleveland-native philip johnson), which, amazingly, was home to new york city opera, from the time it was built, in 1964, until two years ago -- the metropolitan opera house, next door, opened in 1966

what a building boom took place there, in a matter of...four, five years
there was a dispute over the two...colossal sculptures...at the ends of the second-floor lobby -- i think it was between johnson and the director of the new york city opera/ballet, who didn't want them -- well, to resolve the dispute, johnson had the sculptures installed first, then had the building and staircases (behind the sculptures) constructed, through which...the sculptures could not be removed
there's a similar...construction...design...feat...with the met...building
the lower,...elliptical part of the main staircase...is one piece of concrete,...which had to be installed first, and the rest of the building...built around it
this must be from friday night -- the upper picture, during traviata's matinee
inside the met's auditorium, our tour-guide, sarah, talked about the acoustics of the hall, and asked if anyone wanted to sing -- so i sang the first four lines of 'vedrai carino' -- and...got into...the fifth line,...before...i was rudely cut off -- didn't have to practice much, either -- actually, i have -- in hindsight, i think i should've made a run for it,...to the stage

for my next installment -- my next trick -- my last trick -- food...and a building...that may have been designed by an old friend

Friday, March 22, 2013

cleveland's opera per tutti: angelica & schicchi, in april

got an e-mail, today, from andrea anelli, head of our wonderful company opera per tutti
they're doing giacomo puccini's 'suor angelica' and 'gianni schicchi' -- friday, april 19, at 7:30, and sunday, april 21, at 3 -- in cleveland public theater

you can pitch in, and support the orchestra

then, of course, this summer, their always-magical evening of song, in the italian cultural garden -- sunday, july 21, at six
well, this reminds me to put up 'o mio babbino caro,' which i heard kent state's marita tornabene do, sunday -- and she did it beautifully -- always a winner

also taking part in the 'schicchi' were opera per tutti's tim culver (in the top picture, as the clown pagliacci, and in the white jacket and black vest), and his son (i assume), samuel (whom i saw in opera per tutti's 'amahl and the night visitors,' a year and a half ago)

the 'schicchi' was part of kent's program of shorts (the other two being mozart's 'impresario' (they did the play in english -- and the songs in german, i think) and samuel barber's 'hand of bridge'

first, an anna moffo rendition of 'babbino'


victoria de los angeles, one of the all-time greats


and, in honor of oberlin's production, last week, of johann strauss jr.'s 'die fledermaus' (done in english), an anna moffo rendition of 'mein herr marquis' (sung in oberlin on saturday by aubry ballaro-hagadorn)


i went to oberlin for saturday's show because rob mcginness performed the lead that night (as well as on wednesday) -- i saw him in a master class in oberlin with marilyn horne, a couple of weeks ago
then, a week later, the lucky dog got in, as a last-minute fill-in, with thomas hampson, in akron -- after hampson's recital of american art songs

Sunday, March 17, 2013

the met's 'audition'

friday night, i watched the metropolitan opera's documentary 'the audition' -- very good -- enjoyable


the full documentary became unavailable on youtube -- here are three videos with excerpts



i then watched the follow-up conversation with renee fleming, susan graham and thomas hampson, all of whom (hampson, too, i think) were previous winners


then, in yesterday's live simulcast of the met's 'francesca da rimini,'...who's conducting the orchestra...but...marco armiliato, who's a mainstay...of...'audition'
i hadn't noticed him conducting the orchestra before, and...he was mentioned, as having conducted...at least one...recent met simulcast...that i'd seen