gruberova: qui la voce....

listening to the puritani from the met, i remembered this amazing 'qui la voce' by edita gruberova

radvanovsky's vissi d'arte -- and anna's

over the last three weeks, i've heard tosca, live from the met, twice

sondra radvanovsky's vissi d'arte...is just...heart-rending -- brought tears....

here she is, singing it at the met, almost three years ago

here, at a concert -- apparently, just a couple of months ago -- looks like it's outdoors

there's another concert-rendition, on her home turf -- at http://youtu.be/cIkx_koQFAg

for good measure, here's my anna -- seems rushed, at the beginning -- especially in comparison to radvanovsky's renditions

julia novikova

where's she been,...all my life

the amazing hui he

my super-excellent met adventure, part 2

for the nightcap...of my day-night doubleheader, i saw 'otello'

krassimira stoyanova, as desdemona, was great -- powerful voice -- really...exploded,...when she first came out -- opened up

stoyanova and jose cura (otello)

i found another great scene from verdi -- the man has some sense for the dramatic

otello has been reduced to a groveling...worm, prostrate on the ground -- outside, the citizens of cyprus are singing the praises of the lion of venice, for his recent victory -- inside, however, iago stands astride...the defeated otello -- the utterly defeated otello -- and iago roars,...'ecco il leoni'

thomas hampson is a great actor, as well as a great singer

hampson and cura

on the subway ride after 'otello,' i was sitting next to a man reading a spanish newspaper -- on the back cover of the paper was a picture of new york mets pitcher johann santana (for weeks, i'd been singing 'meet the mets,' when i hear,...think about...the met) -- i eventually noticed that he had a plastic bag from the met opera shop -- i asked him if he attended the opera -- he said he worked in the shop -- i showed him the tie i wore (since removed...and placed in my met bag), like the ones sold in the shop

his name is ivan, he's from peru, and he was an opera singer -- he said he was there, for juan diego florez's first voice lesson, when florez was 17 and ivan was 21 -- ivan taught archeology in peru, for 12 years, and sumerian/mesopotamian mythology...were his favorite -- he said that all religions and mythologies...hail from it -- i told him about my nephew and lugalbanda -- i later asked him about santana -- he said he didn't understand baseball -- hadn't learned it

sunday morning, i went back to the met, for their backstage tour -- they're sold out, for the rest of the season, but i thought i'd give it a shot, anyway

i waited and waited,...in front of the met building, but...no tour group

meanwhile, there was a big group, on the other side of the fountain, singing -- in a foreign language

i haven't been able to insert the video of their singing (from my camera) here -- i'll keep trying

in any case, they were, all girls, and they were from the czech border-city karvina -- they were in new york, for a singing competition -- two days later, in carnegie hall -- and had a concert in st. patrick's church, monday afternoon

i was told, variously, that they sang permonik (which i heard, and recorded), za nasim humenkem and este si zazpivam

then came a group from a high school in salt lake city -- they sang a hymn -- i just looked it up -- it's called 'the saints bound for heaven' -- part of it goes, 'and through all eternity, we'll rejoice, we'll rejoice' -- i gave 'em...an opera 'bravo'

then they sang...what sounded like a polynesian song -- i caught the words...'nimoni noyay' -- that's what it sounded like

well, i then walked around the corner, to the lincoln center's newest building, the david rubenstein atrium -- i found out, there, that there were no backstage tours of the met, that day (neither the morning or the afternoon tour) -- probably because it was easter sunday -- i must check the metropolitan opera guild web-site, next time -- they're the ones who conduct the tours, and not metropolitan opera

there were, however, tours of the lincoln center complex -- they call it 'campus'

that tour included the met and the koch theater (formerly the state theater -- designed by cleveland-native philip johnson), which, amazingly, was home to new york city opera, from the time it was built, in 1964, until two years ago -- the metropolitan opera house, next door, opened in 1966

what a building boom took place there, in a matter of...four, five years

there was a dispute over the two...colossal sculptures...at the ends of the second-floor lobby -- i think it was between johnson and the director of the new york city opera/ballet, who didn't want them -- well, to resolve the dispute, johnson had the sculptures installed first, then had the building and staircases (behind the sculptures) constructed, through which...the sculptures could not be removed

there's a similar...construction...design...feat...with the met...building

the lower,...elliptical part of the main staircase...is one piece of concrete,...which had to be installed first, and the rest of the building...built around it

this must be from friday night -- the upper picture, during traviata's matinee

inside the met's auditorium, our tour-guide, sarah, talked about the acoustics of the hall, and asked if anyone wanted to sing -- so i sang the first four lines of 'vedrai carino' -- and...got into...the fifth line,...before...i was rudely cut off -- didn't have to practice much, either -- actually, i have -- in hindsight, i think i should've made a run for it,...to the stage

for my next installment -- my next trick -- my last trick -- food...and a building...that may have been designed by an old friend

my excellent canton adventure

i attended the saturday portion of this weekend's wagner symposium -- part of my...opera education -- it was organized by the wagner society of ohio, and was held in walsh university, in north canton

in the afternoon, i was introduced to the singing of jane eaglen -- a revelation

she held a master class, then talked about her career -- the interviewer, wagner society board member steve charitan, did a very nice job of pairing her recordings, and singing, of isolde and norma -- she's an amazing singer, and her rendition of casta diva...is incredible

i've added it to my...collection

one of the pupils in the master class, christina carr, will play maddalena, in opera circle's production of rigoletto, mid-june -- in playhouse square -- i gave her...my two cents' worth...on the quartet -- actually, it's...a couple-millions' worth [may 4: christina carr had said that she wasn't familiar with the part, the scene, and...had just purchased the libretto, during a layover in new york, on her way to cleveland]

in the evening, the canton symphony orchestra performed four wagner pieces and stravinsky's rite of spring

i was really impressed by the orchestra -- amazed to see...some...dozen cellists, and, maybe,...eight bassists -- although i was informed (by two members of the wagner board) that this was necessitated by wagner's music, and that the orchestra brought in musicians from indiana, pittsburgh, and other...points...unknown

the conductor, gerhardt zimmermann, has been there since 1980

hometown girl amy yekel (who was sponsored by the ohio wagner society) sang the liebestod from tristan und isolde and brunnhilde's immolation scene from gotterdammerung

the sublimity -- the sublimeness -- of the liebestod...struck me,...for the first time

in between, the orchestra played ride of the valkyries -- which always brings to mind...my main man bugs bunny's classic 'what's opera, doc?' -- years ago, i played for my nephews and niece, when they were...littler

in looking for the bugsie classic, i saw, to my amazement, that it's been done, on stage -- here are two productions

then, of course, there's robert duvall, who's one of my favorites

before the concert, i found, by chance, in belden village, a really good italian fast-food place -- piada -- part of a chain -- a woman in line told me she'd been to one in columbus -- i'll see about getting one...to these parts

i just looked for them, on-line, and,...lo and behold, there's one on cedar, just west of warrensville -- you'll find me...there

great interview with 'la bellissima'

lindsay perigo...is quite a satirist/political commentator too

so thaaaat's casta diva

cruising youtube over the months, i've come across a lot of casta divas, and didn't know what it was -- it looked important -- it's come up, for many singers, as if it's a test -- gauge -- of a singer's...capabilities...or something

well, my friend myron gave me a cd of 'norma,' a week ago, and i've been listening to it, in the car, since then, and...the first track...was sooo...hauntingly beautiful -- or is it, beautifully...haunting -- that, today,...i looked on the back of the cd

'casta diva'

here's...the version i've been listening to -- maria callas -- 1960 -- with la scala's orchestra -- tulio serafin, conducting

i attended a very good production of 'norma' by our local company opera circle, a couple of months ago, but...wasn't as struck...by this piece of music, then

'addio' encore: marie mclaughlin & her glyndebourne traviata

how felicitous

during the quiz portion of yesterday's met broadcast of 'don carlo,' the superb soprano diana damrau, for her...quiz, played a line...from marie mclaughlin's violetta -- 'gran dio!...morir si giovine' -- she said, watching the glyndebourne production of 'traviata,' at the age of 12,...hooked her on opera

so i went to youtube -- to my favorite piece ('teneste la promessa' -- anna moffo's rendition of which...made me fall in love with her) -- mclaughlin's...is incredible

there's also, there, the entire...glyndebourne production -- i've seen/heard...the first act -- looks...magnificent -- just...gripping

addio, del passato

on this day...in 2006, anna moffo passed away -- it was her rendition...of this...fitting song...that hooked me