Showing posts with label grigolo. Show all posts
Showing posts with label grigolo. Show all posts

Sunday, January 28, 2018

tosca: gheorghiu & kaufmann

saw the tosca, live from the met, yesterday -- plan to go back, wednesday -- great 'vissi d'arte,' by sonya yoncheva -- great screams too -- spine-tingling -- blood-curdling -- and a magnificent 'e lucevan' by vittorio grigolo -- pours it all out

here's the 2006 vienna pairing of angela gheorghiu and jonas kaufmann -- i saw them in the movie theater, from covent garden -- incredible -- i watched act three of the below, and act two and the 'mia gelosa' scene -- kaufmann encores 'e lucevan,' and gheorghiu doesn't come out, on cue -- terfel really has fun with his role

addendum: yoncheva and grigolo were singing their roles for the first time -- actually, grigolo sang in the opera, when he was 13 -- as the shepherd boy -- and, in the broadcast, he talked about being congratulated, after the opera, by luciano pavarotti, his cavaradossi, and looking forward to the day he'd sing cavaradossi -- here's the picture they showed, on the broadcast -- 27 years ago
turns out, yoncheva and grigolo were also replacements for the originally cast stars -- kristine opolais and jonas kaufmann -- wouldn't that have been great -- they've paired up, in europe, on at least two operas, i think

not only that, bryn terfel was replaced by zelko lucic, and opolais's husband, andris nelsons, pulled out as conductor, and his replacement, met music director james levine, was suspended by the met for sexual misconduct, and replaced, in turn, by emmanuel villaume

Sunday, April 6, 2014

kristine opolais: let's play two

what a tour de force, by kristine opolais
she sang butterfly, friday night -- her first time, singing the role at the met -- she would say,...i lived it

then unwound, had a late dinner -- goes to bed, around five

seven-thirty, the phone rings -- peter gelb's on the phone -- anita hartig's sick -- can you sing mimi, in five hours

what are you talking about -- impossible

five minutes later, she...has second thoughts -- why not

they go through the whirlwind of costumes, makeup, hair, steps, staging, all that -- bob's your uncle -- she makes her met debut as mimi
first time that's ever happened -- in met history -- 131 years -- two met debuts, in 24 hours -- more like...15 hours
she was incredible -- what a rich...and husky voice -- full...deep

great acting, too
[april 14: i just came across this detailed analysis of the show]

there was a beautiful shot of rodolfo (grigolo) and mimi (opolais), from below -- he's on the ground; she's on the upper level -- act three, just inside the paris gate -- i didn't get my camera out, to capture it -- it's just before they come together,...here
she,...and her duet with rodolfo, in that scene,...were spine-tingling

she must have had a good sleep, last night

[april 10: saw it again, this evening -- even more powerful, the second time -- maybe, because of what i've learned, since -- or...the effects of it, sinking in -- well, i thought it was one...for the ages -- she is...something else -- i'll be following her -- during the intermissions, i listened to her, on my phone, as butterfly, live from the met -- from the movie screen, i got this picture, from act three]
then, in this great interview, she says she's going to sing both soprano roles...in boito's mefistofele -- this girl...likes to play -- and...that's not enough
Often when I finish an opera I always say that I would like to sing more.
she's got some interesting takes...on magda,...tosca,...and mimi -- she likes to shake things up -- desdemona too -- and carmen

her husband says...she is...tosca

she's also going to be manon lescaut, with jonas kaufmann -- covent garden, in july -- that one...should be special -- super-special -- he's a teacher and mentor, for her -- idol, too -- will be broadcast in movie theaters

this 2008 butterfly, in covent garden, was conducted by her husband, andris nelsons


looking for a mimi clip, there's a boheme, with villazon -- wow -- i've gotta see that one

the last scene

part of 'addio, senza rancor'


soave fanciulla

here's an 'addio,'...that was added, today -- so, maybe, it's from yesterday


she's got a 'quando m'en vo' -- in concert

all right -- that's enough

now i've gotta figure out,...where i saw her, before

reading on in the interview, i think i might have seen a video of her, singing, with her husband, conducting -- he's the incoming music director of the boston symphony -- they'll open next season, together