Wednesday, April 24, 2013

my super-excellent met adventure, part 2

for the nightcap...of my day-night doubleheader, i saw 'otello'

krassimira stoyanova, as desdemona, was great -- powerful voice -- really...exploded,...when she first came out -- opened up
stoyanova and jose cura (otello)
i found another great scene from verdi -- the man has some sense for the dramatic

otello has been reduced to a groveling...worm, prostrate on the ground -- outside, the citizens of cyprus are singing the praises of the lion of venice, for his recent victory -- inside, however, iago stands astride...the defeated otello -- the utterly defeated otello -- and iago roars,...'ecco il leoni'

thomas hampson is a great actor, as well as a great singer
hampson and cura
on the subway ride after 'otello,' i was sitting next to a man reading a spanish newspaper -- on the back cover of the paper was a picture of new york mets pitcher johann santana (for weeks, i'd been singing 'meet the mets,' when i hear,...think about...the met) -- i eventually noticed that he had a plastic bag from the met opera shop -- i asked him if he attended the opera -- he said he worked in the shop -- i showed him the tie i wore (since removed...and placed in my met bag), like the ones sold in the shop
his name is ivan, he's from peru, and he was an opera singer -- he said he was there, for juan diego florez's first voice lesson, when florez was 17 and ivan was 21 -- ivan taught archeology in peru, for 12 years, and sumerian/mesopotamian mythology...were his favorite -- he said that all religions and mythologies...hail from it -- i told him about my nephew and lugalbanda -- i later asked him about santana -- he said he didn't understand baseball -- hadn't learned it

sunday morning, i went back to the met, for their backstage tour -- they're sold out, for the rest of the season, but i thought i'd give it a shot, anyway

i waited and waited,...in front of the met building, but...no tour group

meanwhile, there was a big group, on the other side of the fountain, singing -- in a foreign language

i haven't been able to insert the video of their singing (from my camera) here -- i'll keep trying

in any case, they were, all girls, and they were from the czech border-city karvina -- they were in new york, for a singing competition -- two days later, in carnegie hall -- and had a concert in st. patrick's church, monday afternoon

i was told, variously, that they sang permonik (which i heard, and recorded), za nasim humenkem and este si zazpivam

then came a group from a high school in salt lake city -- they sang a hymn -- i just looked it up -- it's called 'the saints bound for heaven' -- part of it goes, 'and through all eternity, we'll rejoice, we'll rejoice' -- i gave 'em...an opera 'bravo'

then they sang...what sounded like a polynesian song -- i caught the words...'nimoni noyay' -- that's what it sounded like

well, i then walked around the corner, to the lincoln center's newest building, the david rubenstein atrium -- i found out, there, that there were no backstage tours of the met, that day (neither the morning or the afternoon tour) -- probably because it was easter sunday -- i must check the metropolitan opera guild web-site, next time -- they're the ones who conduct the tours, and not metropolitan opera

there were, however, tours of the lincoln center complex -- they call it 'campus'

that tour included the met and the koch theater (formerly the state theater -- designed by cleveland-native philip johnson), which, amazingly, was home to new york city opera, from the time it was built, in 1964, until two years ago -- the metropolitan opera house, next door, opened in 1966

what a building boom took place there, in a matter of...four, five years
there was a dispute over the two...colossal sculptures...at the ends of the second-floor lobby -- i think it was between johnson and the director of the new york city opera/ballet, who didn't want them -- well, to resolve the dispute, johnson had the sculptures installed first, then had the building and staircases (behind the sculptures) constructed, through which...the sculptures could not be removed
there's a similar...construction...design...feat...with the met...building
the lower,...elliptical part of the main staircase...is one piece of concrete,...which had to be installed first, and the rest of the building...built around it
this must be from friday night -- the upper picture, during traviata's matinee
inside the met's auditorium, our tour-guide, sarah, talked about the acoustics of the hall, and asked if anyone wanted to sing -- so i sang the first four lines of 'vedrai carino' -- and...got into...the fifth line,...before...i was rudely cut off -- didn't have to practice much, either -- actually, i have -- in hindsight, i think i should've made a run for it,...to the stage

for my next installment -- my next trick -- my last trick -- food...and a building...that may have been designed by an old friend

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