a mesmerizing orfeo

i watched the met's orfeo, yesterday -- first time i watch the whole thing -- i was mesmerized -- stephanie blythe was just incredible

i don't know what i just pulled here,..from youtube -- probably,....

enrico caruso, at the san francisco earthquake

http://www.sfmuseum.net/1906/ew19.html

WOW -- act two duet, traviata

the great hannibal leads the way

Ten days ago, in the first battle of the victorious campaign that was just concluded, the great Hannibal led his troops onto the battlefield, in enemy territory – far, far from home.

In the first day of the battle, Hannibal was able to destroy all his enemies, without suffering any damage. In the second day of the battle, Hannibal’s troops went on the offensive, and crossed into enemy territory, delivering the first blow of the battle – a significant achievement – for it is well known, that in a battle of wills, it is of the utmost urgency to strike first, to deliver the first blow – and Hannibal’s forces had done that.

Meanwhile, the enemy from the west could do no damage to Hannibal and his forces – drawing not a drop of blood in the second day of the battle, nor in the third. Hannibal, the battle-hardened veteran, had the enemy baffled - not with any overwhelming blows, but with cunning and guile - some sideways maneuvering, some bluffs, to keep the enemy off balance – he even used a butterfly (which Hannibal called by its Iberian name, mariposa), to mesmerize the enemy.

Hannibal’s namesake, from years ago, was more hard-hitting than this Hannibal, and more prone to launch lightning strikes (his family name, after all, was Barca (lightning)). A major exception for the ancient southpaw was his long (and very wide) hook, delivered from the top, which featured some of the heaviest artillery ever seen. That long-ago Hannibal deployed some 40 elephants, from which soldiers hurled high, hard stones – but it wasn’t the accuracy or the potency of the projectiles launched from atop the elephants that did damage to the enemy; instead, the elephants were used mainly to strike fear into the hearts of enemy forces - to make ’em sweat. This Hannibal, for his part, employed those delicate mariposas – in about the same number, as the ancient Hannibal had, elephants.

Hannibal’s camp maintained the advantage in the field, and the enemy could still make no headway – not in the fourth day of battle, not in the fifth, nor in the sixth. They could not lay a hand on Hannibal and his troops.

Hannibal had done this before. In his first year as a warrior. thirteen years and one month before, in a battle defending his home turf in the south, a battle that lasted nine days, Hannibal vanquished nearly every one of the enemy forces that challenged him, and they drew no blood from Hannibal’s forces – they did not even land one blow to his camp. Four of the enemy’s soldiers managed to escape - but even from their positions, on Hannibal’s left flank, they were not able to advance much further, as Hannibal kept a close eye on them, to freeze their activities.

Meanwhile, back at home base, Hannibal was reunited with his brother. This time, though, Hasdrubal joined his brother’s camp with his head intact.

In the recent battle, Hannibal, the general from south of the great sea, continued, unharmed, through the seventh day of fighting. Through those first seven days, he had only used 89 arrows and spears, to vanquish his enemy’s forces. He was not only victorious over his foes, he was also being very economical.

In the morning of the eighth day of the battle, the enemy directed a low-flying projectile towards Hannibal’s left flank, hoping to land a blow against his forces, but one of Hannibal’s nearby troops was able to intercept the spear, before it could do any harm.

Then, late in the evening of the eighth day, Hannibal faced a new foe – one that had been kept in reserve by the enemy, and whom Hannibal had not yet seen in this battle. After an arduous struggle between the combatants, all the soldiers and observers on hand beheld, with a collective gasp, a dying quail sailing across the battlefield, and saw it land in the distant fields, between Hannibal’s ranks. Everyone knew the significance of this ominous sign, and Hannibal’s civilian leaders immediately knew what to do – they recalled their general home, and sent in the reserve cavalry.

It is true, that Hannibal might have exhausted his supply of arrows and spears – and butterflies – but it was the dying quail, which all had seen descend in the distant field, more than his material resources, that people feared – and the enemy hoped – would shoot down Hannibal’s morale; for all observers of battle have witnessed such sights, after an unbroken series of conquests – and there was no mistaking its meaning.

For the remainder of the eighth night, and over the course of the ninth day of the battle, a member of the cavalry, who was unaffected by the dying quail, concluded the victorious battle.

In the next battle of the campaign, which began, the next day, Hannibal’s successor general, a man who hailed from Germania, picked up the torch, and for the first six days of the battle, he and his troops went unharmed, vanquishing nearly every one of the enemy forces. This, too, had been done before. Six years earlier, Hannibal and the same Germani general had led consecutive battles, near the northern front, and gone unharmed, for the first five days of each battle.

What remains to be seen is, will this Hannibal and his troops win all the battles, but lose the war.

tosca: gheorghiu & kaufmann

saw the tosca, live from the met, yesterday -- plan to go back, wednesday -- great 'vissi d'arte,' by sonya yoncheva -- great screams too -- spine-tingling -- blood-curdling -- and a magnificent 'e lucevan' by vittorio grigolo -- pours it all out

here's the 2006 vienna pairing of angela gheorghiu and jonas kaufmann -- i saw them in the movie theater, from covent garden -- incredible -- i watched act three of the below, and act two and the 'mia gelosa' scene -- kaufmann encores 'e lucevan,' and gheorghiu doesn't come out, on cue -- terfel really has fun with his role

addendum: yoncheva and grigolo were singing their roles for the first time -- actually, grigolo sang in the opera, when he was 13 -- as the shepherd boy -- and, in the broadcast, he talked about being congratulated, after the opera, by luciano pavarotti, his cavaradossi, and looking forward to the day he'd sing cavaradossi -- here's the picture they showed, on the broadcast -- 27 years ago

turns out, yoncheva and grigolo were also replacements for the originally cast stars -- kristine opolais and jonas kaufmann -- wouldn't that have been great -- they've paired up, in europe, on at least two operas, i think

not only that, bryn terfel was replaced by zelko lucic, and opolais's husband, andris nelsons, pulled out as conductor, and his replacement, met music director james levine, was suspended by the met for sexual misconduct, and replaced, in turn, by emmanuel villaume

wow -- great cecilia

addendum to juices

monday, i bought these (new for me) juice cartons from the rimi next to the townhall building

the pina colada was really good

then there's something else they drink here, which might belong in the "unusual" category

butter -- or cream -- or oil

not by itself,...but with fresh carrot juice -- carrot juice supposedly needs something oily to help ingest the carrots' vitamins -- something like that -- in trakai (the little castle town, a half-hour from vilnius), the waiter brought out a little pitcher of olive oil, with my order of fresh carrot juice -- maria tells me that in grocery stores, next to the fresh carrot juice, there are small packets of oil available -- i haven't seen them